… as long as you speak French or Haitian Creole.
So I went to an actual voodoo ceremony for the first time the other night for Fête Guédé, probably more commonly known as either All Saints’ Day or Day of the Dead. It was held in New Orleans in a small home converted into a sort of temple down a dirt alley with all sorts of decorations:
It was a really nice ceremony. There were probably 30-35 people plus more passers-by who I think just wanted to watch a little out of curiosity. For nearly two hours they walked around an altar (I think it was to Papa Guédé himself), writing things on the ground with dust of some sort, lighting candles, and saying prayers. This was interspersed with chanting in a call-and-response style as well as drums which reminded me a lot of Cuban rumba. The aura of the whole thing was definitely otherworldly and it worked purely based on the fact that so many people were involved. I mean, they were singing in a language I couldn’t really understand–which may have been somewhat poorly pronounced Haitian Creole–and I find it hard to believe that they all actually spoke this language so here we have some 15 or so people who bothered to memorize chants in a language they don’t even know. It made the whole thing feel real and for all intents and purposes it was. It served a symbolic purpose that could be appreciated even if it didn’t actually do anything. The ceremony was meant to communicate with the dead and as long as the atmosphere was right and no one cared to question whether it really worked, it might as well have been working.
I did feel a little confused about the authenticity of the ceremony, though. The woman leading it had long ago been ordained in Haiti, where the religion is still prominent, but it still felt somewhat like appropriation. As I mentioned, the chanting was all done in what may have been Haitian Creole and the woman leading the ceremony was definitely speaking Standard French. The people of Haiti use these languages because those are their native languages but it’s unlikely to be the same for the faithful here. The use of a language that’s not understood does help serve the purpose of creating an experience that clearly feels demarcated from everyday life but it’s also questionable whether it’s a sign of pure exoticism as well. I mean, it’s unlikely that any of these people grew up practicing voodoo–even the woman in charge grew up Jewish–but, really, there’s no rule against converting. I suppose the part that makes it seem somewhat like appropriation is that the people leading it aren’t people who grew up in it necessarily.
Ultimately though, it’s a bit sad that voodoo has been almost completely reduced to horror stories and sales gimmicks as it seems like a quite beautiful religion. I plan on checking it out more and maybe talking to the different priestesses in the city about it as well as the way that language fits in.
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